Newton المكتبة الإلكترونية
Irish Fairy Tales
حجم الخط
المحتويات
  1. THE STORY OF TUAN MAC CAIRILL
  2. CHAPTER I
  3. CHAPTER II
  4. CHAPTER III
  5. CHAPTER IV
  6. CHAPTER V
  7. CHAPTER VI
  8. CHAPTER VII
  9. CHAPTER VIII
  10. CHAPTER IX
  11. CHAPTER X
  12. CHAPTER XI
  13. THE BOYHOOD OF FIONN
  14. CHAPTER I
  15. CHAPTER II
  16. CHAPTER III
  17. CHAPTER IV
  18. CHAPTER V
  19. CHAPTER VI
  20. CHAPTER VII
  21. CHAPTER VIII
  22. CHAPTER IX
  23. CHAPTER X
  24. CHAPTER XI
  25. CHAPTER XII
  26. CHAPTER XIII
  27. CHAPTER XIV
  28. THE BIRTH OF BRAN
  29. CHAPTER I
  30. CHAPTER II
  31. CHAPTER III
  32. CHAPTER IV
  33. CHAPTER V
  34. OISIN’S MOTHER
  35. CHAPTER I
  36. CHAPTER II
  37. CHAPTER III
  38. CHAPTER IV
  39. CHAPTER V
  40. CHAPTER VI
  41. CHAPTER VII
  42. THE WOOING OF BECFOLA
  43. CHAPTER I
  44. CHAPTER II
  45. CHAPTER III
  46. CHAPTER IV
  47. CHAPTER V
  48. THE LITTLE BRAWL AT ALLEN
  49. CHAPTER I
  50. CHAPTER II
  51. CHAPTER III
  52. THE CARL OF THE DRAB COAT
  53. CHAPTER I
  54. CHAPTER II
  55. CHAPTER III
  56. CHAPTER IV
  57. CHAPTER V
  58. CHAPTER VI
  59. CHAPTER VII
  60. CHAPTER VIII
  61. THE ENCHANTED CAVE OF CESH CORRAN
  62. CHAPTER I
  63. CHAPTER II
  64. CHAPTER III
  65. CHAPTER IV
  66. CHAPTER V
  67. CHAPTER VI
  68. BECUMA OF THE WHITE SKIN
  69. CHAPTER I
  70. CHAPTER II
  71. CHAPTER III
  72. CHAPTER IV
  73. CHAPTER V
  74. CHAPTER VI
  75. CHAPTER VII
  76. CHAPTER VIII
  77. CHAPTER IX
  78. CHAPTER X
  79. MONGAN’S FRENZY
  80. CHAPTER I
  81. CHAPTER II
  82. CHAPTER III
  83. CHAPTER IV
  84. CHAPTER V
  85. CHAPTER VI
  86. CHAPTER VII
  87. CHAPTER VIII
  88. CHAPTER IX
  89. CHAPTER X
  90. CHAPTER XI
  91. CHAPTER XII
  92. CHAPTER XIII
  93. CHAPTER XIV
  94. CHAPTER XV
  95. CHAPTER XVI
  96. CHAPTER XVII
  97. CHAPTER XVIII
  98. CHAPTER XIX
  99. CHAPTER XX

CHAPTER VI

Having gone some distance by these pleasant ways he saw a shapely house dozing in the sunlight.

It was thatched with the wings of birds, blue wings and yellow and white wings, and in the centre of the house there was a door of crystal set in posts of bronze.

The queen of this island lived there, Rigru (Large-eyed), the daughter of Lodan, and wife of Daire Degamra. She was seated on a crystal throne with her son Segda by her side, and they welcomed the High King courteously.

There were no servants in this palace; nor was there need for them. The High King found that his hands had washed themselves, and when later on he noticed that food had been placed before him he noticed also that it had come without the assistance of servile hands. A cloak was laid gently about his shoulders, and he was glad of it, for his own was soiled by exposure to sun and wind and water, and was not worthy of a lady’s eye.

Then he was invited to eat.

He noticed, however, that food had been set for no one but himself, and this did not please him, for to eat alone was contrary to the hospitable usage of a king, and was contrary also to his contract with the gods.

“Good, my hosts,” he remonstrated, “it is geasa (taboo) for me to eat alone.”

“But we never eat together,” the queen replied.

“I cannot violate my geasa,” said the High King.

“I will eat with you,” said Segda (Sweet Speech), “and thus, while you are our guest you will not do violence to your vows.”

“Indeed,” said Conn, “that will be a great satisfaction, for I have already all the trouble that I can cope with and have no wish to add to it by offending the gods.”

“What is your trouble?” the gentle queen asked. “During a year,” Conn replied, “there has been neither corn nor milk in Ireland. The land is parched, the trees are withered, the birds do not sing in Ireland, and the bees do not make honey.”

“You are certainly in trouble,” the queen assented.

“But,” she continued, “for what purpose have you come to our island?”

“I have come to ask for the loan of your son.”

“A loan of my son!”

“I have been informed,” Conn explained, “that if the son of a sinless couple is brought to Tara and is bathed in the waters of Ireland the land will be delivered from those ills.”

The king of this island, Daire, had not hitherto spoken, but he now did so with astonishment and emphasis.

“We would not lend our son to any one, not even to gain the kingship of the world,” said he.

But Segda, observing that the guest’s countenance was discomposed, broke in:

“It is not kind to refuse a thing that the Ard-Ri’ of Ireland asks for, and I will go with him.”

“Do not go, my pulse,” his father advised.

“Do not go, my one treasure,” his mother pleaded.

“I must go indeed,” the boy replied, “for it is to do good I am required, and no person may shirk such a requirement.”

“Go then,” said his father, “but I will place you under the protection of the High King and of the Four Provincial Kings of Ireland, and under the protection of Art, the son of Conn, and of Fionn, the son of Uail, and under the protection of the magicians and poets and the men of art in Ireland.” And he thereupon bound these protections and safeguards on the Ard-Ri’ with an oath.

“I will answer for these protections,” said Conn.

He departed then from the island with Segda and in three days they reached Ireland, and in due time they arrived at Tara.





CHAPTER VII

On reaching the palace Conn called his magicians and poets to a council and informed them that he had found the boy they sought—the son of a virgin. These learned people consulted together, and they stated that the young man must be killed, and that his blood should be mixed with the earth of Tara and sprinkled under the withered trees.

When Segda heard this he was astonished and defiant; then, seeing that he was alone and without prospect of succour, he grew downcast and was in great fear for his life. But remembering the safeguards under which he had been placed, he enumerated these to the assembly, and called on the High King to grant him the protections that were his due.

Conn was greatly perturbed, but, as in duty bound, he placed the boy under the various protections that were in his oath, and, with the courage of one who has no more to gain or lose, he placed Segda, furthermore, under the protection of all the men of Ireland.

But the men of Ireland refused to accept that bond, saying that although the Ard-Ri’ was acting justly towards the boy he was not acting justly towards Ireland.

“We do not wish to slay this prince for our pleasure,” they argued, “but for the safety of Ireland he must be killed.”

Angry parties were formed. Art, and Fionn the son of Uail, and the princes of the land were outraged at the idea that one who had been placed under their protection should be hurt by any hand. But the men of Ireland and the magicians stated that the king had gone to Faery for a special purpose, and that his acts outside or contrary to that purpose were illegal, and committed no person to obedience.

There were debates in the Council Hall, in the market-place, in the streets of Tara, some holding that national honour dissolved and absolved all personal honour, and others protesting that no man had aught but his personal honour, and that above it not the gods, not even Ireland, could be placed—for it is to be known that Ireland is a god.

Such a debate was in course, and Segda, to whom both sides addressed gentle and courteous arguments, grew more and more disconsolate.

“You shall die for Ireland, dear heart,” said one of them, and he gave Segda three kisses on each cheek.

“Indeed,” said Segda, returning those kisses, “indeed I had not bargained to die for Ireland, but only to bathe in her waters and to remove her pestilence.”

“But dear child and prince,” said another, kissing him likewise, “if any one of us could save Ireland by dying for her how cheerfully we would die.”

And Segda, returning his three kisses, agreed that the death was noble, but that it was not in his undertaking.

Then, observing the stricken countenances about him, and the faces of men and women hewn thin by hunger, his resolution melted away, and he said:

“I think I must die for you,” and then he said:

“I will die for you.”

And when he had said that, all the people present touched his cheek with their lips, and the love and peace of Ireland entered into his soul, so that he was tranquil and proud and happy.

The executioner drew his wide, thin blade and all those present covered their eyes with their cloaks, when a wailing voice called on the executioner to delay yet a moment. The High King uncovered his eyes and saw that a woman had approached driving a cow before her.

“Why are you killing the boy?” she demanded.

The reason for this slaying was explained to her.

“Are you sure,” she asked, “that the poets and magicians really know everything?”

“Do they not?” the king inquired.

“Do they?” she insisted.

And then turning to the magicians:

“Let one magician of the magicians tell me what is hidden in the bags that are lying across the back of my cow.”

But no magician could tell it, nor did they try to.

“Questions are not answered thus,” they said. “There is formulae, and the calling up of spirits, and lengthy complicated preparations in our art.”

“I am not badly learned in these arts,” said the woman, “and I say that if you slay this cow the effect will be the same as if you had killed the boy.”

“We would prefer to kill a cow or a thousand cows rather than harm this young prince,” said Conn, “but if we spare the boy will these evils return?”

“They will not be banished until you have banished their cause.”

“And what is their cause?”

“Becuma is the cause, and she must be banished.”

“If you must tell me what to do,” said Conn, “tell me at least to do something that I can do.”

“I will tell you certainly. You can keep Becuma and your ills as long as you want to. It does not matter to me. Come, my son,” she said to Segda, for it was Segda’s mother who had come to save him; and then that sinless queen and her son went back to their home of enchantment, leaving the king and Fionn and the magicians and nobles of Ireland astonished and ashamed.